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His first tracks with Clayton's orchestra were in NYC circa August of '47 to support Helen Humes on such as 'Jet Propelled Papa' and 'They Raided the Joint'.

Lord's disco shows their last titles together per Rushing's albums, 'Gee Baby, Ain't I Good to You' and 'Who Was It Sang That Song? Jones is thought to have first recorded with Benny Goodman as members of the Teddy Wilson Orchestra with Clayton and Billie Holiday on January 25 of 1937 for such as 'He Ain't Got Rhythm' and 'This Year's Kisses'.

Trombonist/vibraphonist, Tyree Glenn, was also of notable presence in Jones' career.

For Jones' first recordings we return to April 2, 1931, with Victoria Spivey as a member of Lloyd Hunter's Serenaders (Hunter's only recordings): 'Sensational Mood' and ''Dreaming 'Bout My Man'.

The major boost to Jone's career was Basie with whom he first hooked up in 1934, Basie to form his first orchestra the next year.

He also joined Basie that year for the December 9 telecast of 'Sound of Jazz'.

In January of 1967 they both participated in John Hammond's 30th 'Spirituals to Swing' concert at Carnegie Hall.

This page concerns the birth of modern jazz percussion, as well as instrumentation and orchestration not found elsewhere, such as vibraphone or musicians who were more composers than performers.

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